Marvel has experienced the negative consequences of pushing an idea too far. When they proudly proclaimed the idea of a shared universe in their film franchise, fans showed a healthy skepticism. The Infinity Saga demonstrated several massive successes with Marvel’s impressive gimmick. Years later, the constant interconnectivity presents several new problems. Fans cried out for Marvel projects without homework, prompting the studio to pitch their new Marvel Spotlight brand. After one outing, the logo may have outlived its usefulness.
The streaming TV shows have brought Marvel constant trouble. Standout examples like Loki and WandaVision endure a lot of pushback for their medium. The near-universal expectation is that the shows represent a radical drop in quality from the films. When a Marvel movie is mediocre, it passes without comment from most and earns defenders among the hardcore fans. When a Marvel show is subpar, it becomes a solid go-to example of the downfall of the genre.
Echo introduced the Marvel Spotlight brand
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Head Writers |
Marion Dayre and Amy Rardin |
|---|---|
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Head Director |
Sydney Freeland |
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Stars |
Alaqua Cox, Vincent D’Onofrio, Chaske Spencer, Tantoo Cardinal |
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Release Date |
January 9, 2024 |
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Episodes |
5 |
Echo dropped at the beginning of this year. It’s one of only three Marvel projects planned for 2024. Echo‘s marketing campaign took a strong stance that disappointed many viewers. The show was rated TV-MA, a bold distinction from most of the franchise’s other kid-friendly entries. Echo stars Alaqua Cox as the eponymous hero, Maya Lopez. Maya is a hearing-impaired Native American woman returning to her family home after years working under a mighty crime boss. It’s an intense crime drama about the weight of the past, the struggles of forgiveness, and the strength people can find in each other. Throughout the series, Maya wields an ancestral power to defeat a foe with very personal stakes. From a distance, Echo fits the Marvel Spotlight bill. However, it fails to meet the basic criteria that would qualify a show for its branding.
Echo is a continuation of two existing Marvel shows. Anyone who skipped Hawkeye or all three seasons of Daredevil would be a bit lost. Vincent D’Onofrio’s Wilson “Kingpin” Fisk is a central character in the show. His presence carries an undeserved weight. The pitch of the Marvel Spotlight brand is that the shows stand on their own. Surely, having to watch several seasons of TV to get the intended effect breaks the concept of a solo series. One of the biggest events in Echo is a cameo appearance by Charlie Cox as Daredevil. The character means nothing to those who didn’t see his solo series. Cameos that fall flat and characters without proper introductions are the two main problems with interconnected programs. The first Marvel Spotlight show failed to deliver on the logo. That’s a snag, but it isn’t a definite conclusion.
Marvel has two potential Spotlight projects
Daredevil: Born Again and Wonder Man are the other potential Marvel Spotlight projects. Born Again is a direct continuation of the Daredevil series, picking up after the previous three seasons. It’s also a follow-up to Echo, which established Kingpin and Daredevil in the modern MCU and ended with a tease for Wilson Fisk’s future endeavors. Daredevil: Born Again is inherently connected to its predecessors, placing it in the same unlikely position and almost certainly undoing any potential Marvel Spotlight branding. Wonder Man finished filming in April, but fans haven’t seen a single frame of the series. It’s an origin story for the titular hero, an obscure powerhouse making his on-screen debut. Unfortunately, one of the only known cast members in the series is Ben Kingsley as Trevor Slattery. Slattery was the red herring antagonist of Iron Man 3 and a comic relief side-character in Shang-Chi. The one Spotlight project with a chance at being independent gave up that opportunity.
The Marvel Spotlight brand never made sense
Marvel Spotlight has two fatal flaws. The obvious one is its inability to stick to its gimmick, leading to all the aforementioned crossovers in what should be standalone material. The other problem is the premise. The idea that Marvel Cinematic Universe projects need to explicitly separate themselves from their predecessors to succeed has problems. Watch any Marvel movie or TV show. Without fail, they offer explanations for anyone who didn’t see or doesn’t remember the previous outings. The actual amount of commitment one needs to dedicate to following the Marvel movies is almost identical to that of any other film franchise. That’s not to say that anyone can randomly sit down for any entry in the empire and instantly recognize every detail, but it isn’t anywhere near as complex as some make it out to be. No one would think they could jump in on Thor: Ragnarok before watching the first two Thor movies, for the same reason they wouldn’t watch Saw V before Saw IV. Beyond that obvious requirement, most MCU projects prime their audiences with a “previously on” segment, just like the one that opened the first Marvel Spotlight show.
The Marvel Spotlight concept was a promise that Marvel couldn’t keep and didn’t need to make. It was always a marketing gimmick. Fans seemed excited about Echo for its mature tone and explicit violence. Spotlight projects can still stand out, delivering movies and shows that feel unique without severing themselves from the canon. When that logo plays, fans might not think of the attached comic brand, but they can still expect a fun experience with the new MCU.
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